New Year Group Show 2024 Tap Gallery

FIRST GROUP SHOW of 2024 extended until Sunday 11th Feb. Artists talk Saturday 10th Feb 3pm. All welcome.

New Year Group Show 2024

New Year Launch 2024
1st Group Show
NEW GEMS
Paintings, Photography, Sculpture, Printing, All Media

Drinks with the Artists
Thursday 1st Feb, 6pm

See video of the event (TAP TV on YouTube).

extended until Sunday 11th Feb.

Artists talk Saturday 10th Feb 3pm.

All welcome.

EXHIBITION RUNS 29 JAN – 11 FEB 2024

TAP Gallery: tapgallery.org.au
Youtube: TAP TV – @TapGallerySydney
Instagram: @tapgallery and #tapgallery
Email: info@tapgallery.org.au * Telephone: 0400610440 .
Level 1, 259 Riley St, Surry Hills NSW 2010

New Year Group Show 2024

International Womens Day 2024 Art Prize Tap Gallery

Calling Artists to participate $25 entry into the International Womens Day Art Prize 2024. Official Function Saturday 9th March 4pm. Runs until March 17.

International Womens Day Art Prize

SPONSOR   

Calling Artists to participate $25 entry into the

International Womens Day Art Prize 2024.

Official Function Saturday 9th March 4pm.

Exhibition runs until Sunday 17th March daily 12-6pm
TAP Gallery:

tapgallery.org.au
Youtube: @TapGallerySydney
Instagram: @tapgallery and #tapgallery
Email: info@tapgallery.org.au * Telephone: 0400610440 .
Level 1, 259 Riley St, Surry Hills NSW 2010

International Women’s Day Art Prize 2024

HIL VAN DIJK – ARTWORKS. OFFICIAL FUNCTION SATURDAY 9TH DECEMBER 6PM. EXHIBITION RUNS 4-17 DECEMBER

Hil Van Dijk Artworks

Hil Van Dijk Artworks -Tap Gallery -Flowers

You are cordially invited to attend “hil Van Dijk – Artworks”
Paintings * Drawings * Charcoals * Watercolours
Official Function Saturday December 9th, 6pm.
Exhibition runs December 4-17, 12-6pm daily.

Hil Van Dijk Artworks Tap Gallery -List of Previous Shows


TAP Gallery: tapgallery.org.au
Youtube: @TapGallerySydney – TAP TV
Instagram: @tapgallery and #tapgallery
Email: info@tapgallery.org.au * Telephone: 0400610440 .
Level 1, 259 Riley St, Surry Hills NSW 2010

Hil Van Dijk Artworks

Frontline Photojournalism Projections: Thirty Years of Human Rights, Environment & Culture by Glenn Lockitch – 25 November 8pm

Frontline Photojournalism Projections – Glen Lockitch

Frontline Photojournalism Projections:

Thirty Years of Human Rights, Environment & Culture

by Glenn Lockitch

A whirlwind thirty-year audio-visual photojournalism journey, traversing the socio-political-environmental cultural landscape, from film to digital, starting at riots at the Berlin Wall in 1989, and travelling through Sydney Peace Squadron anti-war demonstrations on Sydney Harbour, South East NSW Forest Blockades, anti French nuclear testing riots in Tahiti, the impact of mining on indigenous communities and the environment in the Philippines, anti-corporate globalisation protests in Australia, ‘TAXI!’ Sydney taxi night-passengers and their stories, eviction of the Kalahari Bushmen from their ancestral lands, three Sea Shepherd Antarctic anti-whaling campaigns, the Aboriginal Tent Embassy, and more. Plus newly edited work including ‘Antarctic Icebergs’ and ‘Sydney in Colour’. All are welcome to attend on 25 November at TAP Gallery 8pm. Entry by donation. Limited seats please book on 

https://events.humanitix.com/frontline-photojournalism-projections-thirty-years-of-human-rights-environment-and-culture-by-glenn-lockitch

 

Frontline Photojournalism Projections - Glen Lockitch - Tap Gallery

Fall of the Berlin Wall, Checkpoint Charlie, Berlin, Germany, 7th October 1989.
© Glenn Lockitch 2015

Frontline Photojournalism Projections - Glen Lockitch - Tap Gallery

Anti-nuclear testing protesters confront the French military on the Papeete Airport runway burning down the airport and sparking off days of rioting, Tahiti, 1995.
© Glenn Lockitch 2012

Frontline Photojournalism Projections - Glen Lockitch - Tap Gallery

© Glenn Lockitch 2016

Frontline Photojournalism Projections - Glen Lockitch - Tap Gallery

Moment of impact. The Japanese harpoon ship, the Yushin Maru 3 (right), tries to shake off the anti-whaling Sea Shepherd ship, the Bob Barker (left), from the Japanese factory ship the Nisshin Maru’s tail (background), ramming the Bob Barker and tearing a one-metre gash in its hull, and damaging itself in the process. Southern Ocean, Antarctica 2010.
In the name of ‘research’, using a loophole in the International Whaling Convention, Japanese whalers set a yearly quota of 1,035 whales to kill in the Antarctic waters, many in the Antarctic Whale Sanctuary. No academically respected, internationally peer reviewed scientific research papers have been published by the whalers. The multinational, anti-whaling, direct-action, marine conservation organisation Sea Shepherd sailed yearly to Antarctica until 2017 (the last of three Antarctic campaigns I photographed), to physically obstruct and stop the Japanese whaling slaughter. Japan ceased its whaling operations in the Antarctic, repeatedly blaming Sea Shepherd for its whale quota loss. Sea Shepherd, since 2002 when the organisation started obstructing the Japanese Antarctic whaling operations, directly helped save the lives of over 6,000 whales.

TAP Gallery: tapgallery.org.au
Youtube: @TapGallerySydney
Instagram: @tapgallery and #tapgallery
Email: info@tapgallery.org.au * Telephone: 0400610440 .
Level 1, 259 Riley St, Surry Hills NSW 2010

Frontline Photojournalism Projections – Glen Lockitch

Paintings from my Studio - Georgina-Kay Trout - Tap Gallery

“Paintings from My Studio “ an exhibition by Georgina Trout. Official Function Tuesday 31st October 6pm. Artist talk Thursday
2 November 1-4pm

Paintings from my Studio – Georgina-Kay Trout


Paintings from my studio - Georgina Trout - Tap Gallery

“Paintings from My Studio” is an exhibition by Georgina Trout.

Georgina commenced her formal art education with a Bachelor of Arts degree at Sydney’s City Art Institute in the 70’s.    She then won a number of art prizes, including  the Macquarie University Chancellor’s Award,  the Peter Stuyvesant Cultural Foundation Award,  the AGNSW Dyason Bequest and Permanent Trustees’ Martin Bequest,  before being awarded a Fulbright Travel Grant in 1984 to study in New York.     There she attended the New York Studio School for the summer where she was offered a scholarship, which she was unable to accept because she was starting a Master of Arts degree at New York University.    She completed her formal education with the award of a Doctorate in Creative Arts at Wollongong University in 1994.

At NYU she was placed as an intern with the pop artist Tom Wesselman, who was famous for his Great American Nudes series in the 60’s and 70’s.  In his studio in the Bowery, she joined his two other assistants to produce work that was derived from sessions with his model. 

Following her return to Sydney, Georgina  attended the Julian Ashton Art School,  won the Camden Art Prize,  was hung in the Salon des  Refuses for the Wynne and won First and Second Prizes for entries in the Royal Easter Show.

She bought her own picture framing shop – Ace Frames in Rose Bay –  and owned it for 10 years. Upon retiring in 2002, Georgina found more time to paint and decided to take up painting from the life model. In her studio she paints from the model once a week and painted portraits. She has had many exhibitions, usually every 2-3 years based on figuration.

In this exhibition “Paintings from My Studio” Georgina continues her exploration of abstraction through figuration. She explains her process this way. I have a model come to my studio. I set up coloured drapes of different patterns  and position the model in a pose that is comfortable to her. Georgina then starts with small canvases and canvas boards and looks at the coloured masses from a composition viewpoint, often putting on a timer to limit overworking an image or going from the abstract to the literal. After a number of different poses have been completed, the small works are viewed and a composition is picked out for a larger painting that might become a story. With the larger painting on the easel she revisits the smaller paintings with a frame that is overly grand or quirky to create an interesting contrast that reminds her of early modernist artworks in elaborate traditional frames…after all she was a framer.

Georgina Trout on Instagram: @georginatrout

Exhibition runs from 30th October until 5th November daily 12-6pm.

All welcome to the official function Tuesday 31st October at 5-9pm.
This is Halloween Night – Costumes Welcome! RSVP to Georgina Trout by text on 0409 048 428

There will also be an artists talk & demonstration with a model – Thursday 2nd November 1-4pm.

TAP Gallery: tapgallery.org.au
Youtube: @TapGallerySydney (Tap TV)
Instagram: @tapgallery and #tapgallery
Email: info@tapgallery.org.au * Telephone: 0400610440 .
Level 1, 259 Riley St, Surry Hills NSW 2010

Paintings from my Studio – Georgina-Kay Trout

Larrikin – A Photo Exhibition by Jennifer Forward-Hayter. Opening drinks Tuesday 14th November 6-9pm

Larrikin – Photos by Jennifer Forward-Hayter

Larrikin Photos by Jennifer Forward-Hayter

LARRIKIN – photos by Jennifer Forward-Hayter

In association with HeadOn Festival.

!4th-18th November 12-6pm
Sun 19th November 12-4pm.

Opens Tue 14th November 6-9 pm.
Drinks by Young Henrrys.

Jennifer will be interviewed during
The Chaser Report Live and Arty
on 17th November at Tap.

TAP Gallery: tapgallery.org.au
Youtube: @TapGallerySydney
Instagram: @tapgallery and #tapgallery
Email: info@tapgallery.org.au * Telephone: 0400610440 .
Level 1, 259 Riley St, Surry Hills NSW 2010

Larrikin – Photos by Jennifer Forward-Hayter